Categories Culture Space-Time Explained With A Music Box And Möbius Strip Post author By Daedalus Howell Post date February 16, 2013 1 Comment on Space-Time Explained With A Music Box And Möbius Strip “Mathemusician” Vi Hart uses a music box and a Möbius strip to explain space-time. Reminiscent of Gödel, Escher, Bach: An Eternal Golden Braid but the paper, scissors and tunefulness make it easier to follow. Hat tip Brain Pickings, FastCoDesign and my dad. Share this post:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Reddit (Opens in new window)Click to share on Pocket (Opens in new window)Click to email this to a friend (Opens in new window) Related Tags mobius strip, space-time, Vi Hart By Daedalus Howell Daedalus Howell is the author, most recently, of the novel "Quantum Deadline" and the writer-director of the recently released feature film "Pill Head." He is the editor of The North Bay Bohemian and The Pacific Sun. View Archive → ← When is Presidents Day? → Han Shan Meet Han Solo One reply on “Space-Time Explained With A Music Box And Möbius Strip” Clearly, every cut-and-paste notation set will produce only one aural outcome. How would you demonstrate that this limitation holds the other way, temporally (i.e., that the relationship is symmetric, oscillating between termini guaranteed not to vary no matter which direction they’re approached from)? Put another way: can you confidently deduce from the finished aural product exactly what notational cutting and pasting had been done to achieve it, and what the original melody was? Or is the final product compatible with more than one cut-and-paste history (i.e., could it have a different notational origin)? Any thoughts? Cancel reply This site uses Akismet to reduce spam. Learn how your comment data is processed.